RIBS TPTD: Slow Jammin’ with Xquizzyt1…
Filed under: General/Misc, Triple Play Thurs-Day, jazz, music, podcasts/mixes, soul
A very special version of the TPTD today.
I feel very privileged to have the one and only EJ Flavors help me out in the kitchen and cook up the RIBS this week. He reached into the cabinet and pulled out some exquisite spices and flavorings that he mixed up with the Xquizzyt1 a while back and set a table of delicacies that I’m sure you’ll all enjoy!
This week I am proud to present to you:
Slow Jammin’ with Xquizzyt1 (an EJF/Xquizzyt1 production)
RIBS TPTD: Slow Jammin’ With Xquizzyt1
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Playlist:
- The Commodores - Zoom
- Con Funk Shun - Straight From The Heart
- Earth, Wind & Fire - Reasons
- Enchantment - Gloria
- Friends Of Distinction - Going In Circles
- Gap Band - Yearning For Your Love
- Hall & Oates - Sarah Smile
- Harold Melvin & The Blue Notes - Hope That We Can Be Together Soon
- Angela Bofill - I Try
- Isley Brothers - Don’t Say Goodnight
- Main Ingredient - I’m So Proud
- Manhattans - There’s No Me Without You
- Norman Connors - You Are My Starship
- Marvin Gaye - Come Live With Me Angel
- The O’Jays - You Got Your Hooks In Me
- Rose Royce - I Wanna Get Next To You
- Teddy Pendergrass - My Latest, My Greatest Inspiration
Whew! After listening to this set of slow jams, I’m thinking that it should come with some kind of disclaimer:
We are not responsible for any precious gifts you may receive 9 months from now if you choose to listen to this mix in the company of your significant other.
Some serious “baby making” music here! {smile}
Many thanks to the Sensei EJ Flavors (aka the PodFather of online soul music blogs {smile}) and the lovely Xquizzyt1 for creating this beautiful mix AND allowing me to share it with you on RIBS.
Enjoy!
BTW… don’t forget to check out the new RIBS Music Store!
Technorati Tags: soul, slow jams, NetInfoWeb, RIBS, TPTD, Rhythms In Black Satin, playlist, mp3, mp3blog, soul music, EJ Flavors, Xquizzyt1
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RIBS TPTD: At The Movies - Blaxploitation Style: The Pimpmobile
Filed under: Triple Play Thurs-Day, jazz, music, podcasts/mixes, soul
Got another big bucket of buttered popcorn, a mouth full of Raisenettes, and a couple of boxes of Goobers in my pockets (damn, they were all out of Milk Duds) That must mean we’re still at the movies…
Having a blast continuing to go through all of the music from the “Blaxploitation” era films. For our third and final installment this month (at least for now, there’s still a ton of movie music to cook up for you in the future {smile}) we turn up the tempo and feature mostly fast songs and instrumentals. Of course, that means lots of bass, fiery drums and pulsating horns!
After starting everything off with a short piece, 6 O’Clock DJ (Let’s Rock) by Rose Royce (Car Wash), we jump in the ride, hit the gas pedal and take off down the road in Pursuit Of The Pimpmobile from the Truck Turner soundtrack. Doing this one especially for my man EJ down in the ATL baby. He likes his pimpmobile {smile}.
Once we park the ride we step off into Superfly from the other ‘heavyweight’ of blaxploitation films, Curtis Mayfield (Isaac, of course being the top dog with Shaft). From there we flow ever so smoothly into Hapnin’ by Bernard “Pretty” Purdie off of the Lialah soundtrack. This one is the jewel of the mix, IMHO. Just check out the drum solo that opens the cut followed by that bass backbeat, not to mention the horn rifts about 2 minutes into the set. This one has soulful funk just dripping from every note!
Next, Willie Hutch gets us Vampin’ (The Mack), James (now you just know you can’t have a series of blaxploitation soundtrack mixes without James Brown {smile}) educates us about Slaughter with Slaughter’s Theme (Slaughter’s Big Rip-Off), and we jump back in the ride and take off on a Junkie Chase with Curtis at the wheel.
Of course, it’s no good to be a superfly with a fast ride if you don’t have a Foxy Lady (Foxy Brown) by your side. Some White Lightning (I Mean Moonshine) as mixed up by JB (Black Caesar) always goes down smooth also. However, sometimes even a superfly knows he can get Hung Up On My Baby (Tough Guys) when all he’s trying to be is a Good Lovin’ Daddy (A Piece Of The Action). However, good loving is too few and far between because it’s a constant stuggle out there as we are told by WAR with Youngblood (Livin’ In The Streets), and Mandrill with the Theme From The Warriors/Nowhere To Run (The Warriors).
Mavis, this time along with the rest of her family, The Staples Singers, lays down one of my all time favorite tracks with Let’s Do It Again from the Sidney Poitier/Bill Cosby movie of the same name. Willie Hutch (well represented in these mixes, BTW) gives us the classic track from The Mack, Brother’s Gonna Work It Out. Badder Than Evil is the band that performed most of the cuts on Gordon’s War. Their Hot Wheels (The Chase) is a funky chase scene instrumental that ranks right up there with the best of them.
Almost forgot about The Blackbyrds and Cornbread, Earl and Me. The theme Cornbread is a nice bouncy tune that fits in well here. And that flows nicely into the instrumental Claudine’s Theme from the Curtis Mayfield produced Claudine soundtrack.
And we wrap it all up with a soundtrack, Short Eyes (Curtis Mayfield), that has some strong 70s era funk tracks on it even though it didn’t sell well at the time. Taking you on out with Do Do Wop Is Strong In Here.
RIBS TPTD: At The Movies - Blaxploitation Style: The Pimpmobile
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Right-click here to download .MP3 file (109Mb, 1:17:28)
Playlist:
- Rose Royce - 6 O’Clock DJ (Let’s Rock) [Car Wash]
- Isaac Hayes - Pursuit Of The Pimpmobile [Truck Turner]
- Curtis Mayfield - Superfly [Superfly]
- Bernard “Pretty” Purdie - Hapnin’ [Lialah]
- Willie Hutch - Vampin [The Mack]
- James Brown - Slaughter’s Theme [Slaughter's Big Rip-Off]
- Curtis Mayfield - Junkie Chase [Superfly]
- Willie Hutch - Foxy Lady [Foxy Brown]
- James Brown - White Lightning (I Mean Moonshine) [Black Caesar]
- Isaac Hayes - Hung Up On My Baby [Tough Guys]
- Mavis Staples - Good Lovin’ Daddy [A Piece Of The Action]
- WAR - Youngblood (Livin’ In The Streets) [Youngblood]
- Mandrill - Theme From The Warriors/Nowhere To Run [The Warriors]
- The Staples Singers - Let’s Do It Again [Let's Do It Again]
- Willie Hutch - Brother’s Gonna Work It Out [The Mack]
- Badder Than Evil - Hot Wheels (The Chase) [Gordon's War]
- The Blackbyrds - Cornbread [Cornbread, Earl and Me]
- Gladys Knight & The Pips - Claudine’s Theme [Claudine]
- Curtis Mayfield - Do Do Wop Is Strong In Here [Short Eyes]
Again as I have mentioned before, if you are interested in the best resource on the ‘Net for information about these movies and the music they inspired, I urge you to visit Blaxploitation.com. It is a fantastic site site full of information that you can’t find anywhere else.
Enjoy!
BTW… don’t forget to check out the new RIBS Music Store!
Technorati Tags: soul, soundtrack, blaxploitation, netinfoweb, TPTD, playlist, mp3, mp3blog, soul music, Rhythms In Black Satin, RIBS
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RIBS TPTD: At The Movies - Blaxploitation Style: Love Songs
Filed under: Triple Play Thurs-Day, jazz, music, podcasts/mixes, soul
TG’s Notes: Late drop on the mix this morning. The podcast file IS available for you to download (and I heartily encourage you to do so! {smile}) Hope to have the radio.blog playlist for streaming up sometime this afternoon.
Still at the movies, “Blaxploitation” style! This week we change the pace just a taste and focus on the mellow, love songs (for the most part that is) spawned by these films.
Once again, if you are interested in the best resource on the ‘Net for information about these movies and the music they inspired, I urge you to visit Blaxploitation.com. It is a fantastic site site full of information that you can’t (or at least that I haven’t been able to) find anywhere else.
OK. Got the big bucket of popcorn, a couple of boxes of Rasinettes, some Milk Duds. Yep, all set. So, settle back and get comfortable in your seat as we present this week:
RIBS TPTD: At The Movies - Blaxploitation Style: Love Songs
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Right-click here to download .MP3 file (109Mb, 1:17:59)
Playlist:
- Isaac Hayes - Cafe Reggio’s [Shaft]
- William Bell - Follow Every Dream [The Fish That Saved Pittsburgh]
- Curtis Mayfield - Give Me Your Love [Superfly]
- Rose Royce - I’m Going Down [Car Wash]
- Ed Bogas - Black Girl [Black Girl]
- Willie Hutch - Hospital Prelude Of Love Theme [Foxy Brown]
- Willie Hutch - Give Me Some Of That Good Love [Foxy Brown]
- Dianne Reeves - One For My Baby [Good Night, And Good Luck]
- Stanley Clarke - Lisa [Passenger 57]
- Isaac Hayes - Soulsville [Shaft]
- Bernard ‘Pretty’ Purdie - Easy [Lialah]
- Aretha Franklin - Something He Can Feel [Sparkle]
- Roy Ayers - Coffy Baby [Coffy]
- Edwin Starr - Jennifer’s Love Theme [Hell Up In Harlem]
- Curtis Mayfield - Think [Superfly]
- Gladys Knight and The Pips - The Makings Of You [Claudine]
- Rose Royce - I Wanna Get Next To You [Car Wash]
- Marvin Gaye - Life Is A Gamble [Trouble Man]
- Isaac Hayes - We Need Each Other Girl [Truck Turner]
- The Spinners - (Do It, Do It) No One Does It Better [The Fish That Saved Pittsburgh]
- Barry White - Dreamin’ [Together Brothers]
- Isaac Hayes - Ellie’s Love Theme [Shaft]
Enjoy!
BTW… don’t forget to check out the new RIBS Music Store!
Technorati Tags: soul, soundtrack, blaxploitation, netinfoweb, TPTD, playlist, mp3, mp3blog, soul music, Rhythms In Black Satin, RIBS
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RIBS TPTD: At The Movies - Blaxploitation Style
Filed under: General/Misc, Holiday, R&B, Rock, SundaySoul, Triple Play Thurs-Day, blues, music, podcasts/mixes, soul
Going to the movies this week! Taking a look at all of the great music that came out of the so called “Blaxploitation” era of movies back in the early 70s to the early 80s.
While I could pen a few words about these movies and the music they spawned, a much better overview (in addition to a plethora of information) can be found at the Blaxploitation.com website. Here is a part of the “Introduction To Blaxploitation” that you can find there (and I whole heartedly encourage to visit the site to read the full introduction and explore the vast and detailed information they have so generously provided):
In 1965 the young black actor Sidney Poitier starred alongside Anne Bancroft in a thriller called ‘The Slender Thread’. The job of scoring the film went to Quincy Jones, a jazz trumpeter from Lionel Hampton’s band. He had completed scores for ‘The Pawnbroker’ and ‘Mirage’ by this time and was set to score a number of television series. He said of Sidney Pollack, director of ‘Slender Thread’, that he was ‘a modern guy who didn’t get shocked when he heard a far-out piece of music’. This gave him the artistic freedom to experiment outside of the traditional jazz score. The track ‘Big Sir’ which closes the album gave a hint at what was to come. Uptempo, with a strong ‘four’ feel, it captured the evolving soul sound using full, brassy instrumentation.While Poitier set about taking the Hollywood screen by storm, Jones meanwhile was in considerable demand as a soundtrack composer. Amongst his most well-known works are T.V. themes such as ‘Ironside’, ‘Sanford and Son’ and soundtracks for a number of later major Hollywood releases like ‘The Heist’ ($) with Warren Beatty and ‘The Italian Job’ with Michael Caine.
Although Poitier’s films, mainstream Hollywood creations at best, suggested that it was possible for blacks to be accepted into white American society, the reality for many was harshly different. Race riots had broken out in cities across the US. The Black Panthers, with a large following in deprived areas of the big cities, were advocating militant action. Regardless of Poitier’s positive influence on society through his films, they simply did not reflect life for the black majority at that time.
By now, major ‘black’ artists such as Funkadelic, the Impressions, Sly’s multiracial Family Stone and even James Brown were producing music which carried a serious political message on the back of an angular, forceful groove. The R&B charts proved that demand for ‘music with a message’ was at a high. Black audiences wanted cinema that reflected their daily experiences in the same way.
As the 1970’s began, these wants were met in two dinstinct forms. The first, following Poitier’s lead, provided a mix of comedy and serious drama which happened to include black lead roles. Bill Cosby, Flip Wilson and later Richard Pryor started their careers in this way. The music in these films also tended to be ‘acceptable’ to the white-owned studios, produced by Motown-style soul artists such as Curtis Mayfield. Vocal duties tended to be taken up by Aretha Franklin, Gladys Knight or one of the Staples Singers. The subject matter reflected the big studios’ unease with handling the pressing social issues of the time.
The films which produced the most innovative music, if not plot, were the black alternative to these mainstream offerings. Now known as ‘blaxploitation’ films, they satisfied the demand from inner-city audiences for movies made by and for blacks. It should be noted that the term ‘blaxploitation’ refers to the films’ continuation of the trashy ‘exploitation’ films of the 1960’s rather than the film studios ‘using’ black actors.
Early examples tended to follow a typical James Bond style. 1969’s ‘The Lost Man’ (Quincy Jones soundtrack) and the British ‘Uptight’ (Booker T & the MGs) provided two notable early soundtrack albums.
As these films saw a commercial release the talented black director Melvin Van Peebles was working on a comic drama in which a white bigot wakes up to discover he has black skin. Released in 1970, ‘Watermelon Man’ proved to be a hit and propelled Peebles into the Hollywood limelight. Hoping that success would allow him to make a film closer to his experiences, he began to produce a film written for the black audience and quickly discovered that the major studios wouldn’t touch it.
Called ‘Sweet Sweetback’s Badaaass Song’, it was vicious and uncompromising and deemed inaccessible to whites. Peebles went ahead and produced it anyway, financing it largely himself. Unable to show the film in many cinemas, he persuaded a few black cinemas in Detroit, San Francisco and New York to show it. The response was incredible. People queued in their hundreds to see what was essentially the tale of a promiscuous black antihero as he makes his way towards Mexico to evade the white police. Peebles wrote his own score and enlisted the assistance of a newly-formed group called Earth, Wind and Fire who happened to be friends with one of his production crew.
Almost simultaneously, MGM Studios were shooting the first big-budget Hollywood blaxploitation film, ‘Shaft’. The studio had been struggling and badly needed a hit movie to revive its flagging fortunes. In the film, according to MGM’s synopsis, a ‘black, muscular, fine-looking’ private detective called John Shaft (played by Richard Roundtree) comes up against a variety of mobsters, hustlers and kidnappers, proving himself handy both in bed and with a gun. White critics proclaimed that it was a true reflection of life on the streets when it was really nothing more than a slick thriller that just happened to feature black actors.
MGM were delighted when ‘Shaft’ went on to win an Oscar. The statuette was awarded to long-time Stax records artist and arranger Isaac Hayes for his ‘Theme from Shaft’. His appearance at the Oscar ceremony had as much of an impact as his music. He appeared on a floating piano in a shirt made entirely of chains.
The theme is one of the most memorable and enduring pieces of music written for film. Beginning with a toppy, tight hi-hat rhythm complimented by a superbly edgy wah-wah guitar, the theme told the entire story of the film inside three minutes. The lyrics, thanks to Hayes’ accomplished songwriting backgound, simultaneously satirised and glamorised the hero. The whole score was strong, following cinema convention in that slow ballads accompanied intimacy and brass and drums were used for the chase scenes. The difference was in the funk; gritty but danceable, the album went on to sell in the millions and remains a classic.
Most of the soundtrack albums that followed, in the same way as ‘Shaft’, provided a number of hit singles in their own right. Shaft’s soundtrack, and the film itself, set the style of black movies for the next five years before the genre died out as it became increasingly ridiculous.
‘Shaft’ was quickly followed by a sequel, ‘Shaft’s Big Score’, for which the soundtrack was written by the film’s director Gordon Parks, with help from O.C. Smith who provided the vocals. The third, and last, in the film series was ‘Shaft in Africa’ which blended Johnny Pate’s jazz background and experience as arranger for The Impressions with African rhythms and a hefty slab of the funk. The Four Tops provided a great theme and hit single, ‘Are You Man Enough’, for the soundtrack. This album features many strong tracks and is well worth seeking out. ‘Shaft’ also spawned a TV spinoff series.
1972 saw the artistic peak of the blaxploitation soundtrack. Several of America’s biggest black artists were working on soundtracks simultaneously. Marvin Gaye’s superb ‘Trouble Man’ album, much covered and respected, provided the only significant outlet for his jazz aspirations of his career, and allowed him to include several instrumental funk tracks. Bobby Womack, assisted by jazz soundtrack veteran J.J.Johnson, showcased some of his finest soul tracks on ‘Across 110th St.’ The highlight of this period was undeniably Curtis Mayfield’s ‘Superfly’. Only four years previously Mayfield had been producing upbeat, happy songs for The Impressions. He had by now absorbed the rhymical influence of James Brown’s music along with the melodic feel of Marvin Gaye and was producing music wide-ranging in mood. ‘Superfly’ was as violent a movie as you could find. It romanticised the antics of a drug dealer antihero, Priest, played by Ron O’Neal. Mayfield’s beautiful and compassionate songs completely undermined the apparent message of the movie and represent his finest work.James Brown, ably assisted by regular JBs trombonist Fred Wesley, provided scores to 1973’s ‘Black Caesar’ and 1974’s ‘Slaughter’s Big Rip-Off’. The latter was a sequel to ‘Slaughter’, which had no soundtrack LP but featured a Billy Preston theme song. Interestingly, James Brown’s best written-for-film album, ‘The Payback’, was rejected by director Larry Cohen for ‘not being James Brown enough, y’know?’. The film was ‘Hell Up In Harlem’ and eventually featured an Edwin Starr soundtrack.
Solomon Burke wrote music for ‘Cool Breeze’ (1972, with assistance from Gene Page) and ‘Hammer’ (1973), for which an album was never issued. Allen Toussaint scored ‘Black Samson’, released in 1974. Gene Page, with the Hues Corporation, wrote 1972’s ‘Blacula’ soundtrack while Roy Ayers produced the superb ‘Coffy’ in 1973. The Blackbyrds made their contribution with ‘Cornbread, Earl and Me’ while The Impressions provided songs for ‘Three The Hard Way’. Barry White wrote music for 1974’s ‘Together Brothers’ which included some solid stripped-down funk instrumentals. Even drummer Bernard Purdie wrote a score to an erotic film called ‘Lialeh’ in 1974, subsequently issued on a scarce LP.
Motown’s Wille Hutch provided two fine albums in the form of ‘The Mack’ (1973) and ‘Foxy Brown’ (1974). J.J.Johnson, a veteran jazz musician with a strong ear for soundtrack composition, often wrote his best work in collaboration with other artists. 1971’s Bill Cosby western ‘Man and Boy’ saw him working with Quincy Jones and Bill Withers. The superb ‘Across 110th Street’ was written with Bobby Womack. Johnson also wrote the music for ‘Willie Dynamite’ (with Martha Reeves) and ‘Cleopatra Jones’ which included a hit theme from Joe Simon and vocals from Millie Jackson.A relatively early blaxploitation release, ‘Come Back Charleston Blue’ features an interesting 1920s style soundtrack thanks to Quincy Jones. This album also includes Donny Hathaway’s soulful classic ‘Ghetto Boy’. The 1973 sequel to ‘Black Caesar’, ‘Hell Up In Harlem’ had a theme song by Edwin Starr while Barbara Mason sang the theme to ‘Sheba Baby’ in 1975. The unlikely choice of Osibisa provided the ‘Superfly’ soundtrack sequel in the form of ‘Superfly T.N.T.’ in 1973.
Many of the best blaxploitation soundtracks were issued on major record labels, for which the collector should be thankful. Sales figures for these albums were invariably respectable but failed to live up to those of the original ‘Shaft’ LP. In addition to the mainstream releases there were a number of notable independent issues. The Fantasy label issued the soundtrack to the adult cartoon ‘Fritz The Cat’ and followed this up with ‘Heavy Traffic’. Ed Bogas and Ray Shanklin, responsible for the original material on these two albums, wrote a further soundtrack to a serious black drama ‘Black Girl’ on Fantasy with the assistance of a number of great studio jazz musicians including Bud Shank. The Rimshots, studio band of the Platinum / Stang label, contributed tracks to the Stang label’s 1976 score to ‘Patty’. Bizarrely this all-soul album was taken from a film about Patty Hearst.
In a fitting close to the mainstream blaxploitation genre, Isaac Hayes provided soundtracks to, and performances in, two films in 1974 and 1975, ‘Truck Turner’ and ‘Three Tough Guys’. Although both albums have good funk moments (check out ‘Tough Guys Theme’ and ‘Pursuit of the Pimpmobile’ from ‘Truck Turner’) they’re not as vibrant and consistent as ‘Shaft’.
The cinema genre had effectively ended as a creative force but the musical influence continued. Curtis Mayfield produced the soundtrack to ‘Short Eyes’ and appeared in the film, and arranged ‘Let’s Do It Again’ for The Staples Singers and ‘Sparkle’ for Aretha Franklin. War made a late appearance with the soundtrack to ‘Youngblood’ in 1978.
Many of the soundtracks to these movies, like the films themselves, disappeared into obscurity during the 1980s. The recent revival of interest in cinema and 1970s culture has lead to a corresponding desire to explore the music of the blaxploitation genre, and with it the long-overdue acknowledgment of the huge influence of its artists on modern music.
To find out more about blaxploitation soundtracks, see the blaxploitation.com soundtrack index.
So, without further ado, we present this week:
RIBS TPTD: At The Movies - Blaxploitation Style
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Right-click here to download .MP3 file (104Mb, 1:13:51)
Playlist:
- Herbie Hancock - Revolution [The Spook Who Sat By The Door]
- Isaac Hayes - Theme From Shaft [Shaft]
- Willie Hutch - Theme Of Foxy Brown [Foxy Brown]
- Marvin Gaye - Trouble Man [Trouble Man]
- Phyllis Hyman - Magic Mona [The Fish That Saved Pittsburgh]
- Edwin Starr - Ain’t It Hell Up In Harlem [Hell Up In Harlem]
- New Birth - Come On And Dream Some Paradise [Gordon's War]
- Gladys Knight & The Pips - Mr. Welfare Man [Claudine]
- James Brown - The Boss [Black Caesar]
- Willie Hutch - Slick [The Mack]
- Gene Page - Blacula Strikes! [Blacula]
- Roy Ayers - Coffy Is The Color [Coffy]
- Mavis Staples - A Piece Of The Action [A Piece Of The Action]
- Aretha Franklin - Hooked On Your Love [Sparkle]
- The Four Tops - Are You Man Enough [Shaft]
- Earth, Wind & Fire - Sweetback’s Theme [Sweet Sweetback's Badaaass Song]
- Isaac Hayes - Run Fay Run - [Tough Guys]
- Joe Simon - Theme From Cleopatra Jones - [Cleopatra Jones]
- Bobby Womack - Across 110th Street - [Across 110th Street]
- Curtis Mayfield - Pusherman - [Superfly]
Enjoy!
BTW… don’t forget to check out the new RIBS Music Store!
Technorati Tags: soul, soundtrack, blaxploitation, netinfoweb, TPTD, playlist, mp3, mp3blog, soul music, Rhythms In Black Satin, RIBS
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RIBS TPTD: Brainstorm, The Emotions, Bloodstone
Filed under: Triple Play Thurs-Day, music, podcasts/mixes, soul
Three groups that I have enjoyed immensely over the years. One, maybe not so well known, but still very talented nonetheless, one extremely well known, and one who had a short flash of brilliance (but left us some classic musical nuggets that will never die).
The buffet table is set. This week we present to you:
- Brainstorm
- The Emotions
- Bloodstone
We’ll be back to talk about the groups later today. Right now, please help yourself to the entrees!
RIBS TPTD: Brainstorm, The Emotions, Bloodstone
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Right-click here to download .MP3 file (91Mb, 1:18:40)
Playlist:
- Brainstorm - Prelude
- The Emotions - I Don’t Want To Lose Your Love
- Bloodstone - Funkin’ Around
- Brainstorm - Loving Is Really My Game
- The Emotions - Show Me How
- Bloodstone - How Does It Feel
- Brainstorm - If You Ever Need To Cry
- The Emotions - So I Can Love You
- Bloodstone - We Go A Long Way Back
- Brainstorm - This Must Be Heaven
- The Emotions - Flowers
- Bloodstone - Night Flight
- Brainstorm - Waiting For Someone
- The Emotions - Key To My Heart
- Bloodstone - Go On And Cry
- The Emotions - Music Box
Enjoy!
BTW… don’t forget to check out the new RIBS Music Store!
Technorati Tags: soul, netinfoweb, TPTD, playlist, mp3, mp3blog, soul music, Rhythms In Black Satin, RIBS
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